Sustainable Luxury Ostrich Eggs and Bags – Born in France!

@Nilau Haute Maroquinerie / @instagram.com/nilau_paris/

By Philippe Mihailovich & Caroline Taylor
Paris 2 June 2023

As usual, the recent 1.618 Paris Sustainable Luxury show had interesting new luxury brands, B2B suppliers and artists to present. Amongst them was the new luxury leather goods house created by the young Marie Veyron – unfortunately, not related to the famous Bugatti engineer.

“Can ostrich leather be sustainable”, some were asking? “Is Ostrich not an ‘exotic skin’ banned by the likes of Chanel?” and “Are ostriches really being raised in France?” “You stole my bird” said I, having been born in South Africa (South African farms account for 85 per cent of the world’s ostrich industry). “They must hate the horrible French weather,” I groaned.

Firstly, let us clarify some ignorance about ostriches. One being that they fall under ‘exotic’ skins because the bird is indeed exotic. In South Africa and now also Australia, Thailand and France, ostriches are raised like huge free-range chickens. Their meat is considered to me one of the healthiest for human consumption and therefore their skins are classified as an ‘agro-food’ by-product as are their gorgeous feathers, oil and even their giant eggs. In ancient Egypt, hunting Ostrich was an exotic sport, and being the fastest two legged creatures on earth made them a highly praised catch. The highest reliably measured running speed for ostriches is 61 Km/h!

A Pharaoh’s Luxury

Their prized eggs were luxuriously embellished and used as funerary gifts for their Pharaohs while is South Africa they were used as daily water bottles by the San and Khoi-Khoi hunter-gatherers (commonly referred to as Bushmen). A luxury in the North, perhaps due to its rarity, and a daily refillable ‘Evian’ bottle in the South. “This huge egg weights up to two kilograms and has a capacity of one liter or even more and have been known as a dietary supplement which contains a valuable amount of protein” stated Dr. Sara El Sayed Kitat of Alexandria University.(1)

Beside its nutritional value, ostrich eggs where used for other purposes. Empty eggshells were decorated with painted or incised designs and placed in the tombs », she claims. » Ostrich eggs were connected with the concepts of prosperity, life, and resurrection of the Christ in the Coptic culture. In the Egyptian mythology, the ostrich is known to run around during sunrise, spinning and flapping its wings. In a text dating back to the New Kingdom (1552-1069 B.C.), the ostrich was described to dance greeting the sun rise everyday. This activity confirms the close relation between the ostrich and the sun cult, and accordingly to the concept of rebirth »

« Furthermore, ostrich feather was the emblem of the Egyptian goddess Maat, goddess of truth and was also worn by her as a headdress. Thus, the heart of the deceased was weighed against an ostrich feather during his final judgment », she adds. « The ancient Greeks offered ostrich eggs to their deities in the sanctuaries. The eggs of this bird became connected to the female womb and motherhood in the Bible. Suspending ostrich eggs continued to be found in the churches, monasteries, and even the Muslim graves in Egypt »

Nutritional Value

Unlike other poultry, Ostrich meat is a very lean red meat that contains more protein than beef, game and poultry. It provides an excellent source of potassium, selenium, B vitamins, iron, and more.

Its oil consists of over 70% oleic acid and palmitic acid, has a higher skin-permeability than most oils which allows it to better penetrate and hydrate the skin, enabling superior, natural anti-inflammatory results. It is often used as a massage oil for relief of sore or tight muscles, aches, pains, sprains, or inflamed joints. It can also help with can also be used to soothe aches, as well as easing joint pain, arthritis, rheumatism, and multiple sclerosis. As it has a high content of Omegas 3, 6 and 9, it is considered to have therapeutic benefits for the heart, hair, skin, and nails.

Finally, it is extremely tasty and would fall into the game meat category. In South Africa, not only are fresh steaks highly desired by performance sportspeople through to family kitchens, but their dried meat in the form of ‘biltong’ (dried steaks) and ‘droewors’ (dried sausage) and is extremely popular, as is Ostrich riding!

In France, Marie Veyron’s family farm primarily raises the birds as a healthy meat option and also produces a typically French-style ‘saucisson’, perhaps because the French sun does not allow for the South African sun-dried variations to be produced. Perhaps it will not be long before we are able to convince her to produce a new skin care line. France now has a handful of ostrich producers.

@Nilau Haute Maroquinerie Néra Céleste – Sac à main Néra en cuir d’autruche bleu céleste/ @nilau-paris.com;

Sustainable Leather Goods

As argued earlier, because ostrich is actually classified as an ‘agro-food’, its leather would be considered as ‘cruelty-free’ because the bird is not raised for its skin. Compare that to calf skin taken from young cows that are not yet 6 month’s old or so-called ‘chicken skin’ – despite its deceptive name – a form of calfskin derived from the skin of unborn calves. Can such bovine leathers be considered as sustainable or cruelty-free? As far as the term ‘exotic’ skin is concerned, it should simply be understood to cover creatures that are culled firstly for their skins such as reptiles and furs.

Ostrich leather is one of the highest quality products and has been successfully replacing the skins of protected animals from the market. Ostrich skin lends itself well to processing, but this process is laborious. The skin structure does not make it possible to subject it to mechanical stress. Therefore, until now, all stages of dressing have been carried out manually. As such, it is more expensive than cow leather, sheep leather, buffalo leather, goat leather and many other leathers. It is one of the top range types of leather in the world because of its soft texture and high resistance.

Ostrich leather is not only among the finest but is also the most durable. The natural oils protect the leather from sun exposure. It’s very high concentration of natural oils makes it extremely durable (more so than crocodile or snake leather and 5-6 times more than cow leather). It is no less prestigious than crocodile or snake skin and is certainly more ethical. Its unique pebbly texture makes it one of the leading materials for fine leather products. The leather is distinctive for its pattern of bumps or vacant quill follicles, ranged across a smooth field in varying densities.

Today, there are no obstacles to the trade in ostrich skin worldwide since this bird is classified as a domesticated bird and is considered an animal bred for economic purposes. Along with goods made of authentic crocodile or python leather, they top the list of the most popular luxury items in the world.

@Nilau Haute Maroquinerie

Nilau Haute Maroquinerie

Firstly, Marie Veyron’s family has worked with the best master craftspeople in France to produce the highest quality ostrich skins for the very high expectations the French luxury industry. As with the South African ostrich farms that supply Hermès, the birds are looked after extremely well from birth to ensure the highest quality meat, plumage, oil and skin. After all, happy birds won’t fight or flight.

« In addition to respecting their well being (huge enclosure so they can run as they want, small amounts of birds – only 60 to 80- in our farm so we are sure to take care of all of them and that they will flourish), our birds are cherished with our own food and grain produced on our family farm. At least we are sure that they are feeding correctly and they have all the nutriments that they need », Marie confirms.

The skins require an intricate, specialised and expensive production process making its aesthetic value very costly. Once the skins have been treated by all the Master craftsmen associated with her family business, they are almost too beautiful to part with. As such, it is quite understandable that Marie would want to create luxury goods with such noble materials herself.

The name Nilau was hatched out of a concept of Lin – as in linen in French backwards with no link to the English ‘nil’ meaning nothing or zero although one can say that the brand has ‘no hidden bad things’ because Marie believes in total transparency alongside sustainability – and the ‘au’ part comes from the first two letters of the word Ostrich in French, ‘autruche’. Core to the concept is the mixture of linen and ostrich skin with some of her neighbour, Ictyos’ sustainable ‘sea leather’ thrown in for good measure. To Marie, Nilau implies something really smooth and, at the same time, strong – to compliment and describe her designs. “I didn’t want to use my own name because, as you said, people may think there is a link to the Bugatti », she added.

Given that Nilau’s concept includes various noble materials, not all being super expensive, the house is able to offer a level of affordable luxury without having to use bad quality naturals or synthetics. The mix of fabrics is bold and unusual and certainly seems both timelessly fashionable as well as ageless. This is a far cry from the extremely trendy, as in ready-to-wear or just old traditional department store styles offered by many heritage houses. In that sense she succeeds but the acid test will be the consumers themselves.

« I work with linen on my permanent collection as I want ostrich leather to be worn in everyday life. This is for me a style choice as I think it makes the design purer. The natural aspect of linen soften the strong character of the ostrich leather (with its dotes) or salmon (with its scales). Moreover, I use salmon skin to show that those both precious leathers, ostrich and salmon, are a co-production from the meat industry. People tend to eat more salmon than ostriches » she states.  « Our ostrich plumage is generally given away for cabaret or feather makers ». The feathers are also very pleasant as body massage accessories.

Professors’ Notes

In our book, “HAUTE ‘Luxury’ Branding: Professor’s Notes” (2) we state that the key to to creating a great luxury brand is to have both a great product and strong principles, but not only. Patagonia has both but is not a ‘luxury’ brand. In France, our obsession is with great talent and someone you can trust. It is why we often find the brand named after the founder or the creator. It puts a face to the brand. When the person fails to sign their brand with their name, it could feel like an industrial brand. Nilau will be harder to make sense of, and to remember, than Marie Veyron. Such a beautiful and memorable French name communicates creativity or at least a personal touch.

Having said that, ready-to-wear brands play the same game. So here is where the French obsession with talent goes a little further. Who are your craftspeople and what ‘savoire-faire’ (expertise / know-how) do they bring to the party? Industrial brands cannot answer such questions without exposing themselves. Marie can. She specifies every single Master Craftsperson in France that forms part of Nilau’s process. Here is where process adds value to product. It is here where her brand rises above the mass ‘luxury brands’.

Is Nilau a maison? To an extent yes, because the entire process is controlled by the house, but given that the master craftsmen are not all in-house, Nilau would be considered to be at an ‘art’ atelier / studio or Griffe luxury stage (as defined in our book). It’s the perfect place to start.

“I sketch bags directly from what I would like to wear. For instance, the bepine, is inspired from a binocular case that my grandfather had and that I was carrying around all my childhood », she confesses. « Even though I started the brand with only three designs, I have a book full of drawing as I love to imagine things. To get all this inspiration, I generally go outside and find a spot where I feel inspired (most of the time in a park, close to the nature) and I start drawing. I tend to lose track of time and it is only when I realise that 3 pages are already full that I go back to my SKEMA (the business school that she attended) business woman profile!”

Let’s wish her the best of luck and please take the time to discover her in our video above.

1. El Sayed Kitat, S « Ostrich Egg and its Symbolic Meaning in the Ancient Egyptian Monastery Churches » in JGUAA_Volume 15_Issue 1_Pages 23-41.
2. Mihailovich, P & Taylor, C, «  HAUTE ‘Luxury‘ Branding: Professor’s Notes”( 2021) Librinova

@Nilau Haute Maroquinerie
@Nilau Haute Maroquinerie
@Nilau Haute Maroquinerie
@Nilau Haute Maroquinerie
@Nilau Haute Maroquinerie

Enter the Era of Biodynamic Deep Sea Vintage Champagne!

@Champagne Leclerc Briant Abyss 2017, limited edition/ @leclercbriant.fr

 By Philippe Mihailovich & Caroline Taylor
Paris 2 June 2023

This year’s 1.618 Paris Sustainable Luxury fair served to be a perfect platform for France’s oldest biodynamic champagne house to introduce itself to those who seek out ethical and eco-sustainable products and creations. For the discreet, under-the-radar and privately-owned, biodynamic champagne pioneer, Leclerc Briant, it was a strong statement that they were making, that being, “We are back with a vengeance!”

Founded by the novice winegrower, Lucien Leclerc in 1872, the vineyard took the lead in developing a more natural way of growing grapes and making champagne, and it has been raising the bar for the industry ever since. After many years of organic farming and experimenting with biodynamic viticulture on it’s Cumières estate, the practice was extended to their entire 30-hectare vineyard spread between Cumières, Damery, Epernay, Hautvillers and Verneuil. Each generation added a few steps forward, and sometimes backward. For instance, Pascal Leclerc-Briant, the 5th generation head of the house who was very attached to tradition, reintroduced animal ploughing on the estate.

When he passed away at the early age of 60, none of his four daughters had the will to continue the saga and began selling off their land to famous competitors such as Roederer and Bruno Paillard. Ten years ago, before the house could close, a wealthy and dynamic American ‘investment’ couple, Denise Dupré and Mark Nunnely *, who are known to share a passion for the French art of living, bought what was left of the estate on the encouragement of the visionary veteran champagne marketer, Frédéric Zeimett who had as a secret weapon, France’s leading biodynamic viticulture Cellar Master, Hervé Jestin – an established œnologist specialising in biodynamics. Along with many innovative ideas, Zeimett was able to ensure a certain continuity with the previous commitments of the House (1).

According to the ‘Natural Champagne Enthusiast, Content Marketer and Fizzyvines blogger’, Inge de Jong (2), “The Bretagne-born chef de cave, Hervé Jestin is known for his unconventional ways of making champagne as well as his unique experiments ; Abyss (The Deep Sea Champagne) is probably the most sensational example. Abyss is transported to Bretagne, where the champagne is put to rest at the bottom of the ocean near the island Ouessant. And it’s not even a marketing trick. Jestin believes the ocean waves resonate with the champagne so that it takes on its most natural form. This way of thinking illustrates the philosophy that both Jestin and the Leclerc Briant champagne house swear by: let nature lead the way and see what happens. Those are words to live by! », she states.” What’s also interesting is that all Leclerc Briant champagnes are certified as vegan, meaning there’s no use of egg whites or gelatine in the production process ».

« Many years of observation and experimentation have convinced Hervé Jestin, that humans, as regards their relationship with vines and wine, are capable of understanding and calling upon the intelligence inherent in Nature », the house states on its website. « His work has enabled him to define the principles of biodynamic resonance and to apply them, not only to the cultivation of vines, but also to the making of wine, a crucial field that is often overlooked.

Each stage of vinification at Leclerc Briant, from pressing the grapes to disgorging the champagne, is soft and natural. The wines are listened to and respected, nourished with the energy, the light and the life force of biodynamics so that they can express their full personality, without modification of any kind, in accordance with the unique energy of each vintage », the house explains. “After at least nine months ageing in barrel, the wines enjoy an extended period of ageing deep in the cellars. With little or no dosage they reveal themselves without artifice and with a purity that gives consumers an experience like no other. »

According to Gérard Muteaud (3) of the LVMH-owned business newspaper, Les Echos, Hervé Jestin has paid particular attention to the shape of the containers and respect for the golden ratio in the layout of the cellar to ensure that good vibes circulate: “If we consider that the vine is subject to external influences linked to nature and, in particular, to the lunar calendar, it seems obvious to me that these did not disappear once the grapes were picked. I’ve been working for a long time on the impact of these energies, whether they come from man or nature, on the quality of wines. The influence of the solstices and equinoxes on alcoholic fermentation is well known, as is that of the planet Mars on malolactic fermentation. My job is to provide the material with the information it needs to get through these delicate phases as naturally as possible. The principle is to let the wine follow its own rhythm, without trying to push it in any particular direction. We simply accompany it, leaving it as close as possible to its natural state.

In the centre of the cellar, amidst the oak barrels, horizontally arranged terracotta eggs and glass spheres, sits a strange stainless steel barrel called ‘Goldorak’, the inside of which has been covered in gold (the equivalent of an ingot!). Gold has a powerful, alchemical symbolic dimension,” explains Jestin. It resonates with solar and cosmic activity. Terracotta echoes the earth’s magnetic field. Oak forms the link between the cosmic and the telluric. I thought it would be interesting to blend the wines matured in these three containers. All you have to do is taste them to see that they are different”.

@Champagne Leclerc Briant – @instagram.com/champagneleclercbriant/

The Abyss cuvée, immersed at a depth of 60 metres in the Iroise Sea off Ouessant, follows the same approach. “The idea is to age the wine in the heart of unspoilt nature, in an environment where the energy is powerful and the temperature constant. We’re seeing a real revitalisation of the wines in this oceanic environment, which contains all the information on the planet since its origins”, he explains. Although Champagne is not expected to taste good after 30 years, bottles recently recovered from shipwrecks have proven the 30 year limit to be a myth. It would seem that the sea preserves champagne better than anything on earth.

Frédéric Zeimett, (CEO) follows these biodynamic experiments on the borderline between metaphysics and shamanism with interest and curiosity. “I read, inform myself and try to explain Hervé’s complex thinking to our teams. It’s essential that they are able to share our philosophy of wine. With its fifteen or so different cuvées, including five parcellaires, Leclerc-Briant is attracting the interest of champagne lovers, whose taste buds are receptive to the message it wishes to convey. “The brand is constantly reinventing itself, resulting in champagnes that are both delicious and very interesting. It’s like they’re short stories caught in a bottle! » Inge adds.

Frédéric Zeimett, who previously worked for Moët & Chandon, Pommery, Chapoutier, Alliance Loire and Ackerman, and is responsible for the running of the estate, also inherited the lunar calendar. Fortunately, however, this is not the first time he has managed a biodynamic estate, as he has returned to the principles of Goethe and Steiner, with whom he had already worked at Chapoutier. And to put them into practice, both in the vineyard and in the cellar, he sought the advice of Hervé Justin, the well reputed oenologist and thinker on geobiology and now the benchmark for biodynamic viticulture in the Champagne region. Hervé Justin, has famously been testing glass and cement vats gilded with gold leaf, as well as experimenting with micro-vinification in terracotta jars (4).

Biodynamic continuity has not been Zeimett’s only challenge. More importantly, he had to bring the house back to life! In the luxury field, we would classify such revivals as ‘Sleeping Beauty’ strategies, but only if the team gets it right. Resurrecting a brand badly, would be better described as a ’zombie’ strategy!

In our book,”HAUTE ‘Luxury’ Branding” (5) we speak of such strategies and claim that the luxury brand strives for immortality – although perhaps all brands do. A brand is not considered to have a ‘life cycle’ as products may do. This is because a brand exists first and foremost in the mind. It may live for as long as it is remembered, after which it may still be successfully resurrected, as was witnesses by the rebirthing of luxury houses such as Moynat and Penhaligans. To some extent we should really be considering Chanel, Dior, Lanvin, Balenciaga, Schiaparelli, Balmain, Carvin, Patou, Moreau, Vever, Rouvenat, Fabergé and Poiret as successfully resurrected sleeping beauty brands. Many have failed as well, examples being Worth, Fath, and more recently, Vionnet and L’Etrange.

Some so-called sleeping beauty brands could be considered as fake or inauthentic marketing revivals in that they did not really exist before or did not exist in the form that they do today. Examples are Officine Universelle Buly (inspired by a Balzac novel and based on a 19th century merchant perfumer, Claude Bully), Faure Le Page (an 18th Century firearms manufacturer and today a handbag house) and Joseph Duclos (a leather goods maison inspired by an 18th Century old royal leather manufacturer). As such, the latter may be considered as inauthentic relative to their true past.

Due to the mostly successful resurrections of so many luxury brands, there has been a massive trend towards such strategies. As with Moreau and Buly, one may simply register the trade mark and have no link to the founder’s families or have access to their ancient archives or original ‘savoire faire’ (know-how).This is certainly not the case with Champagne Leclerc Briant. All the archives, know-how and heritage has been retained and even enhanced with total respect, authenticity and integrity. It also remains a ‘family business’.

The downside or perhaps the upside is that the house is relatively unknown to consumers. Perhaps that really is its great advantage! Firstly, it is very known and respected in the B2B field of the champagne industry for its excellent vineyards and pioneering biodynamic experiments. Professional recognition and respect is fundamental to building a strong luxury house. The fact that consumers may not have heard of it is far better than it being famous for something bad! Bad news always travels faster than good news. Think Ryanair, Spirit Airlines and other such top 10 hated brands. In B2B one can think of Lehman Brothers and Enron.

As such, Frédéric Zeimett has the advantage of introducing this old brand into our open minds in a new way from now onwards. The brand identity and story has been very well thought through as has its’ competitive advantage. “While brands concerned by revival strategies do not need to be authentic, and can be invented to a degree, revival does alter brand properties physically and symbolically”, states Prof. Delphine Dion of ESSEC Business School (6).

”There is therefore a need to make your brand as authentic and as legitimate as possible in order to ensure success. The issue of heritage authenticity is challenging not only for cult brands, but also for brands which retain very little reputation in the market and are largely forgotten after many years out of the public eye. The first step is thus to collect both tangible and intangible features that will authenticate the brand heritage »she adds.

We believe that Champagne Leclerc Briant has implemented the first step beautifully and have cleverly immortalized themselves on the cover and in the last chapter of Casanave and Simmat’s “The Incredible History of Wine” animation book (4th ed 2022).

As you would no doubt agree, it is hard to create a great brand without a great product and a strong sense of purpose. Having said that, we feel obliged to confess to having never had the chance to taste Abysse or any of LB house creations for that matter. Their online reviews are good, so we can only assume that they’ve cracked it and will fast become a serious challenger to be reckoned with!

We hope you will enjoy watching our video interview of Frédéric Zeimett.

*The American Owners

Denise Dupré is the founder and managing partner of Champagne Hospitality, a hotel design and development company. Her teams at two properties, The Royal Champagne and Le Barthélemy recently won Conde Nast #1 ranking in their regions: in Europe and the Caribbean respectively. She currently serves on the Harvard Business School Board of Dean’s Advisors and the Board of the Isabella Stewart Gardner Museum. She and her husband Mark Nunnelly and their four children love to travel and experience hospitality throughout the world.

Mark Nunnelly is a billionaire private-equity mogul who managed Domino’s for six years beginning in 1998, became a Partner of Bain & Company was Managing Director of Bain Capital and runs a multi-faceted engineering firm. He even served as commissioner of the Massachusetts Department of Revenue and special advisor to Massachusetts Governor Charlie Baker for technology and innovation competitiveness. He has an MBA from Harvard and started out as an Assistant Brand Manager at Procter & Gamble.

Along with Denise, they acquired in 2017 the Domaine Belleville in Rully, the Château and Clos de la Commaraine in Pommard and created the same year the tailor-made Maison de vins Les Parcellaires de Saulx in Meursault. Domaine de la Commaraine and its Château has a rich wine producing history and dating back to the 12th century, with one of the most prestigious Premier Cru of Pommard inside its monopole, Clos de la Commaraine. The couple have also acquired the beautiful Royal Champagne Hotel & Spa, once a coaching where the kings of France would stay. The recently renovated 49 room historical property is said to feature breathtaking views over the vineyards, includes a Michelin-starred restaurant, and 21st Century creature comforts. The couple also offer accommodation at “Le 25bis »at 25bis Avenue de Champagne in Épernay and they still find the time and energy for philanthropy!

1. https://portraitsdebulles.com/2017/03/16/portrait-of-the-estate-leclerc-briant/
2. https://fizzyvines.com/reviews/leclerc-briant-champagne/
3. https://www.lesechos.fr/weekend/gastronomie-vins/le-champagne-leclerc-briant-capte-les-energies-en-mer-sur-terre-et-dans-le-ciel-1213331
4. https://www.terredevins.com/actualites/champagne-leclerc-briant-la-biodynamie-en-heritage
5. Mihailovich, P & Taylor, C, «  HAUTE ‘Luxury‘ Branding: Professor’s Notes”( 2021) Librinova
6. https://knowledge.essec.edu/en/strategy/sleeping-beauties-how-transform-your-brand-legend-.html

@Champagne Leclerc Briant/ @leclercbriant.fr
@Champagne Leclerc Briant/ @leclercbriant.fr
@Champagne Leclerc Briant / @leclercbriant.fr

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